Articles

• “Der Autor als Ersatzteil. Albert Renger-Patzsch in den 1950er Jahren,” Fotogeschichte 168 (2023): 11−20.

• “The Ghost and the Rock: Albert Renger-Patzsch and the Shape of Time,” Art History 46, no. 1 (February 2023): 124–53. https://doi.org/10.1111/1467-8365.12696.

• “Metalwork and Serial Sculpture in Germany, 1870–1930,” West 86th: A Journal of Decorative Arts, Design History, and Material Culture 28, no. 2 (Fall–Winter 2021): 284–89.

• “The Factotum of Industry: Max Klinger’s Beethoven,” kritische berichte 48, no. 3 (October 2020): 81–94.

• “A Picture is a Shaped Thing” [on Frank Stella, Michael Fried, and Max Imdahl], OCTOBER 168 (Spring 2019): 148–65.

  [“Ein Bild ist ein geformtes Ding,” in Michael Frieds “Shape as Form” und die Kritik der Form von 1800 bis zur Gegenwart, eds. Ralph Ubl and Rahel Villinger (Munich: Wilhelm Fink, 2018), 103–122.]

• “Painting in the Round,” Getty Research Journal no. 9, S1: Special Issue on Jackson Pollock’s Mural (2017): 149–82.

• “Our Life Together: Collective Homemaking in the Films of Ella Bergmann-Michel,” Oxford Art Journal 40, no. 1 (March 2017): 27–48.

  [“Unser Zusammenleben: Kollektive Haushaltsführung in den Filmen von Ella Bergmann-Michel,” in Ella Bergmann-Michel und Robert Michel—Ein Künstlerpaar der Moderne ed. Karin Orchard(Hannover: Sprengel Museum, 2018), 105–17.]

• “Sculpture for the Hand: Herbert Read in the Studio of Kurt Schwitters,” Art History 35.2, Special Issue, “British Art and the Cultural Field, 1939-69” (April 2012): 234­–251; republished in British Art and the Cultural Field, eds. Lisa Tickner and David Peters Corbett (London: Wiley-Blackwell, 2012), 36–53.

• “The Photographic Reproduction of Space: Wölfflin, Kracauer, Panofsky,” RES. Anthropology and Aesthetics 57/58 (Spring/Autumn 2010): 339–43.