Chapters

  • “Monuments and Miniatures in the Photogrammetric Imagination,” in Scalability and its Limits in Photography and (Digital) Sculpture, eds. Buket Altinoba, Maria Männig, and Ursula Ströbele (Berlin: De Gruyter, 2025), 128–43.

  • “An Introduction to Merz-Thought,” in Kurt Schwitters, Myself and My Aims: Writings on Art and Criticism (Chicago: University of Chicago Press, 2021), xiii–xxvi.

  • “Formlinge: Carola Giedion-Welcker, Hans Arp, and the Prehistory of Modern Sculpture,” Hans Arp and Other Masters of 20th Century Sculpture, eds. Jana Teuscher and Elisa Tamaschke (Berlin: Stiftung Hans Arp and Sophie Taeuber-Arp, 2020), 54–67.

  • “Modern Sculpture, A Photobook,” in Instant Presence: Representing Art in Photography, ed. Hana Buddeus (Prague: Artefactum, 2018), 198–216.

  • [Reprinted in: Composing Space. Sculpture in the Avant-Garde, ed. Katarzyna Sloboda and Małgorzata Jędrzejczyk (Łódź: Muzeum Sztuki, 2019).]

  • “Artificial Blindness: Objecthood and the Photography of Sculpture,” in Photography and Sculpture: The Art Object in Reproduction, eds. Sarah Hamill and Megan R. Luke (Los Angeles: Getty Publications, 2017), 138–52.

  • “Reproductive Vision: Photography as a History of Sculpture” (co-authored with Sarah Hamill), in Photography and Sculpture: The Art Object in Reproduction, eds. Sarah Hamill and Megan R. Luke (Los Angeles: Getty Publications, 2017), 1–32.

  • “The Wandering ‘Merzbau,’” in CIHA 2012: The Challenge of the Object / Die Herausforderung des Objekts. Proceedings of the 33rd Congress of the International Committee of the History of Art, eds. G. Ulrich Großmann, Petra Krutisch, and Almuth Klein (Nürnberg: Germanisches Nationalmuseum, 2013), 1242–44.

  • “Spazio irradiante, fantasmagoria didascalica [Radiating Space, Didactic Phantasmagoria],” in Kurt Schwitters. Riga 29, ed. Elio Grazioli (Milan: Marcos y Marcos, 2009), 256–64.

  • “Objecting to Things,” in Frank Stella 1958, eds. Harry Cooper and Megan R. Luke (New Haven: Yale University Press, 2006), 1–65.